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History of Concertinas

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This is a handy guide to the musical terms that you will most likely encounter in your course of music studies and practices. It will most likely benefit you and help you in your understanding of music.

It features premium reed plates otherwise used only in the Meisterklasse model , a specially inscribed MS wooden comb and black laser printed covers. The Steven Tyler Signature Series harp is delivered in a attractive high-quality case. Sold as Key of A. Special new reed profiles for fast response and high volume even at an extremely low pitch. Patented triple laminated and layered bamboo comb construction. Conical lower cover design by noted harmonica-customizer Joe Filisco prevents reed rattle.

Cover and plates fitted with Phillips head screws for easy maintenance. Hohner has manufactured and distributed musical instruments since , making it one of the world’s oldest musical instrument makers.

Directory: Dating Vintage Concertinas

They have mostly been found in concertina cases with few hints to date them. The approximate dates ascribed to the price lists here are based on internal evidence, as follows: Wheatstone moved from Conduit Street to West Street in , where they remained until after the war. Parts of the operation were moved to other locations around and , but the West Street flagship remained until around

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Appendix 1: Wheatstone and Lachenal Dates of Manufacture

Amalgamation, Decline and Closure Though a more austere-looking, all black concertina was occasionally produced after the death of Prince Albert in , it was not until the introduction of the ‘Aeola’ in that Wheatstones’ treble and tenor-sized English concertina began to be regularly produced in an ‘all-black’ format, with black morocco bellows having black bellows papers, and with solid ebony, ebony veneered, or ‘ebonized’ ends and fretwork.

Some of their large and special models had been produced ‘all black’ from about , and instruments in the C M Collection with such ebony ends and black bellows include: The first Aeolas were not eight-sided, as is generally believed, but were fine quality six-sided instruments, with flat ebony ends that had ‘AEOLA’ stamped into their woodwork. The muffling effect of this unusual fretwork pattern produces a strange but sweet tone in these early instruments, which is lost when the more conventional open fretwork re-appears on the later Aeolas.

Three row anglo-german concertina production dating george jones was a baritone lachenal. Large extending, in the largest selection of musical terms, serial no , george lucas has done an approximate date unknown.

Gassner, as president of the committee of bandmasters, in presenting it to General Lysons, said: The address was follows: At a general meeting of the bandmasters of the division, held on the 8th April, , it was unanimously carried that a letter should be forwarded to Major General D. The bandmasters further desire to thank him for the impartial kindness, consideration, and support, they at all times received from him while carrying out his wishes, and they would consider themselves fortunate, under similar circumstances, should they have energetic a gentleman at their head – Signed, Mr.

Charles Cousins, 2nd Dragoon Guards; Mr. Vandenheuvel, 7th Hussars; Mr. Seume, 9th Lancers; Mr. Werner, 27th Regiment; Mr. Bayley, 46th Regiment; Mr. Gassner, 50th Regiment; Mr. Hecker, 82nd Regiment; Mr. Walsh, th Regiment; Mr. By permission of Col. Gassner, for 28 years the popular Bandmaster of this popular Regiment, and who is well known in Colchester, where he was for several years quartered with the Regiment, having just resigned his appointment, was entertained at a farewell mess dinner by Colonel Leach and the Officers at Camp Polymedia, Cyprus, on June 6.

The Concertina Museum Collection

People who have bad rhythm and don’t admit it Originally Posted by foldedpath I think of timing and rhythm separately too, but maybe not exactly the same way? Or maybe it is the same. For me, timing is Not speed up, not slow down, and lock into a tempo with other musicians which is a different skill from practicing with a metronome, and has to be learned. Rhythm is the groove, the heartbeat, the pulse of a tune that lives within the steady tempo.

TM5 IDLIST Class Accordions Address books Addressing machines Adhesive tape dispensing machines Air compressors Alarm clocks Ale Almond paste Altimeters.

But this is a record that grabs attention right from the start, with its surfeit of invention, ideas and imagination. Glyn’s music is difficult to get a handle on at first, with so many first-impressions forming a bewildering headlong rush through the ears. The kinda spaghetti-western-smalltown image that might readily be conjured up by the album’s title is one that translates into the slightly cheesy musical idiom Glyn adopts on Yahoo!

And, in keeping with those tales of the old West too I suppose, Glyn’s writing displays a strong sense of narrative too, as proved by the eight-minute epic Ballad Of Deano. Basically, Glyn can’t resist drawing attention to himself by means of undeniably impressive, powerfully crafted musical settings and lyrics that passionately and eloquently embrace entirely justified criticism of the unforgivingly corrupt corporate world in which we try to survive.

Also, you can’t ignore Glyn’s acute and well-developed feel for bright and bold instrumental colour and creative texturing: If you take things at sound-face value, there’s quite a feelgood aura to the album generally, notably on the bouncy sunshine-pop of Down Amongst The Living and the iron-clad stompsome beat of School Reunion, and even on the more sinister numbers like The Doomed Ship Allegory and The Clown a very Bowie-esque portrait of a paedophile.

Payback-time comes quite literally on Groomed, an examination of coercion and abuse, which comes on like a breathless cross between The Cure’s Love Cats and the Hustle theme tune. A first hearing of tracks like Kafkaesque World can be distinctly overwhelming, with its potent juxtapositions lavish musical setting with smooth crooning delivery to voice the thoughts and words of a torturer.

Elsewhere, perhaps, it can be all too easy to get the feeling that Glyn is deliberately setting out to make an Impact capital “I”! Yet, just as with any situation where there’s a definite brimming-over-surfeit of artistic creativity, this eventually involves an element of excess that needs trimming – or at least channelling: In addition, and in spite of the strong sense of integrity that permeates Glyn’s lyrical and musical vision, I can’t altogether escape a feeling that pastiche is lurking not too far away at times; and this can leave an often desperately unsettling taste.

Concertina results

The days of the dreaded. Dating concertinas star Concertina hand crafted by Walter Kadlubowski, a skilled Polish. S music to any student.

THIS PAGE LAST MODIFIED: Tuesday 16 October A biographical register of Australian colonial musical personnel–G. Dr GRAEME SKINNER (University of Sydney). THIS PAGE IS ALWAYS UNDER CONSTRUCTION.

Public institutions, such as Museums, continue to grapple with issues around gaps, representation and inclusivity within their spaces. The history of black music continues to be under-represented. These are the reasons why Noni Ntaka an arts journalist and filmmaker decided to partner with the Museum of Cultural History in Pretoria in the production of Isizwe Music Exhibition.

The exhibition scheduled to begin in May sought to showcase various musical instruments, book, magazines, tapes, records, CDs and clothes that characterize the past eras. In addition to this, the exhibition hoped to include replicas of visual arts and costumes characterizing the different periods. When I gave her a call to ask for us to meet she told me that the exhibition had been cancelled due to funding hiccups. Her voice on the phone sounded sad and yet very assured. It seemed, even with the hiccups, she was ready to go on.

But it was when she told me that she has been working on this project since that I became convinced that this was her life work. She is the daughter of Blues Ntaka, a South African jazz musician who was exiled in Switzerland and died in She began to question herself about the visibility of great South African musicians, like her father, whose lives had never been documented.

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Wheatstone and Lachenal Dates of Manufacture Wes Williams has written an excellent article on this subject which, if you have access to the Internet, can be read at: If you own a Lachenal concertina you can help! Send Chris Algar of Barleycorn Concertinas see section 9, Shops and Dealers a note or an email giving a brief description of your Lachenal concertina and its number.

If you still have the original bill of sale or any other way of dating its purchase with certainty so much the better! If you have a Wheatstone concertina and you can identify the serial number it is normally on one end then this list will tell you the year of manufacture. Sometimes, if the label has been lost from the baffle in the older instruments, it can also be found stamped inside the bellows frame, in the treble-most slots of the reed pan, and on the reed-pan side of the action-box.

Bob Gaskins has done much research in this area, and he summarises his conclusions as follows: During these 37 years Wheatstone manufactured about 2, Englishes and Duets, with serial numbers from about through , and some 9, Anglos, with serial numbers from through Read the full article here. Dating Lachenal concertinas is unfortunately very hit and miss. I have been told that when Wheatstone took Lachenal over they burnt all their records – an act of real vandalism when seen from a modern perspective.

Nowadays I consider these formulae to be flawed to the point of unusability, but see Wes Williams’ article for greater accuracy.

Robert Gaskins Home Page

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Instead it was an “ensemble” of small states, in sharp contrast with some European Powers which had already achieved their political union. It is around this period that we find the first mention of the musical instrument named “accordion”. The territory known as Italy today was then under the dominion of several different “powers”. Sicily and the Neapolitan region were ruled by the Bourbons and Piedmont was ruled by the Savoy family, sovereigns of French extraction.

Furthermore, while the Lombard and Venetian regions were under the power of the Austrians, the Vatican State, with the Pope as the supreme spiritual and political leader, backed by the continental powers, France and Austria, occupied most central territories. Therefore, although a certain degree of common cultural identity existed in the peninsula at this time, the customs and culture of various regions were strongly influenced by those foreign powers that ruled them.

The defeat in of the pontifical army at Castelfidardo by the Piedmontese troops, marked a fundamental move towards Italian unification. The annexing of the central regions of Marche and Umbria in the Italian kingdom meant the birth of new hopes and ideals for the people who had been, until then, under the dominion of foreign powers.

Appendix 1: Wheatstone and Lachenal Dates of Manufacture

Codices largely replaced scrolls similar to this. The codex provides considerable advantages over other book formats: Compactness Sturdiness Economic use of materials by using both sides recto and verso Ease of reference a codex accommodates random access , as opposed to a scroll, which uses sequential access.

An elegant collection of jigs, reels, traditional folk songs played on fiddles, metal and gut strung Celtic harps, concertinas, flute, whistle and double bass. Gordon Easton A4 – The Last of the Clydesdales of sisters Amelia and Jane Harris who inherited a wealth of ballads and songs from a Perthshire family tradition dating back to the mid.

Introduction A project to digitize the ledgers of the C. The donor, Frederick Horniman, included some two hundred musical instruments in the gift of his collection and the Museum building. The Horniman is one of the few UK museums that collects instruments of popular music. In , the Museum acquired a large collection of concertinas, a bellows-blown free reed instrument that was the invention of another illustrious Victorian.

Sir Charles Wheatstone was a physicist best known for his work on the electric telegraph, and as an inventor of scientific instruments. The collection comprised over six hundred free reed instruments, together with an archive that included concertina music, recordings and postcards of famous concertina players. Among the highlights are twelve ledgers from the C.

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